Language Tab By Vega Suzanne

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from post-office.nevada.edu (post-office.nevada.edu [131.216.1.11]) by redrock.nevada.edu (8.6.4/8.6.4) with ESMTP id NAA22794 for ; Mon, 10 Jan 1994 13:50:08 -0800
Received: from ucscb.UCSC.EDU (ucscb.UCSC.EDU [128.114.2.8]) by post-office.nevada.edu (8.6.4/8.6.4) with SMTP id NAA15317 for ; Mon, 10 Jan 1994 13:50:02 -0800
Received: by ucscb.UCSC.EDU (5.65/1.34)
	id AA10526; Mon, 10 Jan 94 13:49:01 -0800
Date: Mon, 10 Jan 94 13:49:01 -0800
From: indigo@ucscb.UCSC.EDU (Adam Schneider)
Message-Id: <9401102149.AA10526@ucscb.UCSC.EDU>
To: jamesb@nevada.edu
Subject: /v/Suzanne.Vega/Language.tab


LANGUAGE (Suzanne Vega)
-----------------------
  [I learned this from the book _The_Authentic_Guitar_Style_of_Suzanne_Vega_,
published by Cherry Lane Music.  No guitar-playing Suzanne Vega fan should
be without it.  Buy it; it's only $12.95, and it has very good transcriptions
of eleven songs from Suzanne's first two albums.  If your local music store
doesn't have it, do a special order or call Hal Leonard (Cherry Lane's
distributor) directly; that's how I got it.]


Every chord in this song has exactly four strings in it.  Play each chord as
an arpeggio of six sixteenth notes (each chord is half of a 12/16 measure.)
Here's an example:

 A(9)/E      G/D          Cmaj7       Bm7
|------------------------|------------------------|
|------0-----------0-----|------0-----------0-----|
|----6---6-------4---4---|----9---9-------7---7---|
|--7-------7---5-------5-|--9-------9---7-------7-|
|7-----------5-----------|------------------------|
|------------------------|8-----------7-----------|


A(9)/E: x7760x    G/D: x5540x       Cmaj7: 8x990x     Bm7: 7x770x
Am9: 5x550x       G: 3x000x         G/F: 1x000x       Esus4: 0x220x
Esus4/B: x2220x   F#m7(4): 2x220x   G6(9): 3x220x     Asus9: x0220x
C#m9: x4x440      B(4)/F#: 2xx440   Emaj7/G#: 4xx440  Asus9(#4): x0x440
D6(9): x5x400     A(9)/C#: x4x200


A(9)/E  G/D  Cmaj7  Bm7  Am9  G  G/F  G
[intro]

A(9)/E  G/D           Cmaj7            Bm7        Am9  G  G/F  G
  If    ..
A(9)/E  G/D       Cmaj7     Bm7          Am9           G              G/F   G
  Instead ..
A(9)/E  G/D           Cmaj7             Bm7        Am9   G  G/F  G
 These  ..
A(9)/E  G/D           Cmaj7       Bm7        Am9     G       G/F  G/F
         To ..
       Esus4  Esus4/B  Esus4  Esus4/B       F#m7(4)  F#m7(4)  G6(9)  G6(9)
And is ..
 F#m7(4)  F#m7(4)  G6(9)  G6(9)       Asus9  Asus9  Asus9  Asus9
Gone,              ..

verse 2

C#m9  C#m9  B(4)/F#  B(4)/F#  Emaj7/G#  Emaj7/G#  Asus9(#4)  Asus9(#4)
[instrumental]
C#m9  C#m9  B(4)/F#  B(4)/F#  Emaj7/G#  Emaj7/G#  Asus9(#4)  Asus9(#4)
[instrumental]
C#m9  C#m9  D6(9)  D6(9)  A(9)/C#  A(9)/C#  D6(9)  D6(9)
[instrumental]
A(9)/E  G/D  Cmaj7  Bm7
[instrumental]

I won't ..
It's just ..,
   never ..
If ..
A(9)/E  G/D       Cmaj7    Bm7          Am9           G              G/F   G/F
  Instead ..
Esus4  Esus4/B  Esus4  Esus4/B       F#m7(4)  F#m7(4)  G6(9)  G6(9)
                              And ..
F#m7(4)  F#m7(4)  G6(9)  G6(9)       Asus9  Asus9  Asus9  Asus9
Gone,             ..    [repeat and fade]